Film Studies Publications
Research within Film Studies Publications explores the art of cinema from a multidisciplinary perspective, examining the history of film, visual and musical components and gender and sexuality.
Submissions from 1996
Alterity and Nation: Screening of Race, Sex, Gender and Ethnicity in Back to God's Country, Chris Gittings
Imperialism and Gender: Constructions of Masculinity, Christopher E. Gittings
Introduction, Christopher E. Gittings
'What are soldiers for?' Re-Making Masculinities in G.A. Henty and Timothy Findley's The Wars, Christopher E. Gittings
After the (Homo)sexual: Queer Readings of Anti-Sexuality in Sheri S. Tepper's The Gate to Women's Country, Wendy Gay Pearson
Submissions from 1995
A Case of Mixed Identities: The Representation of Women in Post-Socialist Polish Films, Janina Falkowska
‘The Political’ in Films of Andrzej Wajda and Krzysztof Kieslowski, Janina Falkowska
A Conversation With Alistair MacLeod, Chris Gittings
Canada and Scotland: Conceptualizing ‘Postcolonial’ Spaces, Chris Gittings
Re-Figuring Imperialism: Alasdair Gray, Leonard Cohen, Margaret Atwood and the Female Body, Christopher Gittings
Submissions from 1994
Film at the Intersection of High and Mass Culture, Paul Coates
The Scottish Ancestor: A Conversation with Alice Munro, Chris Gittings
A Collision of Discourse: Postcolonialisms and Postmodernisms in The Biggest Modern Woman of the World, Christopher Gittings
Smokin’ Tokens: thirtysomething and TV’s Queer Dilemma, Joe Wlodarz
Submissions from 1993
Fires Were Started: British Cinema and Thatcherism, Paul Coates
Submissions from 1992
Film and Phenomenology, Paul Coates
Metaphysical Love in Two Films by Krzysztof Kieślowski, Paul Coates
Revolutionary Spirits: The Wedding of Wajda and Wyspiański, Paul Coates
Sounds in the Empty Spaces of History: The Highland Clearances in Neil Gunn’s Highland River and Alistair MacLeod’s “The Road to Rankin’s Point", Chris Gittings
Eric McCormack’s ‘Institute for the Lost’: The Scottish Ex-Patriate Writer’s Reconstruction of Self and Place in English-Canadian Literature, Christopher Gittings
Submissions from 1991
Indelible Shadows: Film and the Holocaust (Annette Insdorf), Paul Coates
The Gorgon’s Gaze: German Cinema, Expressionism and the Image of Horror, Paul Coates
Submissions from 1990
Exile and Identity: Kieślowski and His Contemporaries, Paul Coates
Gardens of Stone: The Poetry of Zbigniew Herbert and Tadeusz Różewicz, Paul Coates
Repetition and Contradiction in the Films of Oshima, Paul Coates