Film Studies Publications
Research within Film Studies Publications explores the art of cinema from a multidisciplinary perspective, examining the history of film, visual and musical components and gender and sexuality.
Submissions from 2006
Feelings and Faith in Krzysztof Kieslowski’s Decalogue (1988) in the Context of Recent Theories of Empathy in Cinema, Janina Falkowska
Why Do I Return to Krzysztof Kieslowski?, Janina Falkowska
Flammenzeichen und Versöhnung. Die Sonne Asien (D 1920, R: Carl Eduard Heuberger), Tobias Nagl
Not in the Hardware Aisle, Please: Same-Sex Marriage, Anti-Gay Activism and My Fabulous Gay Wedding, Wendy Gay Pearson
(Re)reading James Tiptree's And I Awoke and Found me Here on the Cold Hill Side, Wendy Gay Pearson
Black Queer Filmmaking, Joe Wlodarz
Submissions from 2005
Arno Holz vs. Thomas Mann: Media Fantasies of Modernism, Janelle Blankenship
The Cabinet of Dr. Caligari: Radical Modernism or Commercialism?, Paul Coates
From the Immediate to the Transcendent: The Liminal Image: The Films of Krzysztof Kieślowski, Paul Coates
The Red and the White: The Cinema of People's Poland, Paul Coates
The Road to New European Identities in Austrian Cinema, Janina Falkowska
Imaging Canada: The Singing Mountie and Other Commodifications of Nation, Chris Gittings
Louis Brody and the Black Presence in German Film before 1945. A Biographical Sketch, Tobias Nagl
'Von fremder Rasse durchsetzt'. Stereotypen in Schwarz-Weiβ, Tobias Nagl
Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO's Oz, Joe Wlodarz
Submissions from 2004
East-Central European Cinema: Beyond the Iron Curtain, Paul Coates
Knife in the Water/Nóż w wodzie, Paul Coates
Man of Marble/Człowiek z marmuru, Paul Coates
Ashes and Diamonds, Janina Falkowska
Polish Baroque in the Thick of Europe: The Reception of Andrzej Wajda’s Films, Janina Falkowska
Die Wacht am Rhein: Rasse und Rassismus in der Filmpropropaganda gegen die ‘schwarze Schmach‘ (1921-23), Tobias Nagl
Reflektionen über das Kodieren/Dekodieren-Modell: Ein Interview mit Stuart Hall, Tobias Nagl
'Sieh mal den schwarzen Mann!': Komparsen afrikanischer Herkunft im deutschsprachigen Kino vor 1945, Tobias Nagl