Film Studies Publications
Research within Film Studies Publications explores the art of cinema from a multidisciplinary perspective, examining the history of film, visual and musical components and gender and sexuality.
Submissions from 2001
Futurist Fantasies: Lukács’ ‘Thoughts Toward an Aesthetic of the Cinema’, Janelle Blankenship
‘Second Nature’ and the Cinema. Rachel Moore’s Savage Theory: Cinema as Modern Magic, Janelle Blankenship
Thoughts Toward an Aesthetic of the Cinema, Janelle Blankenship
Melodrama and the Ideological Cinema of White Invasion/Settlement, Christopher Gittings
"Zero Patience", Genre, Difference, and Ideology: Singing and Dancing Queer Nation, Christopher Gittings
Unpacking the Canoe: Alternative Perspectives on the Canoe as a National Symbol, Susan Knabe and Wendy Gay Pearson
‘An Odd National Entity’: Duplicity, Post-Colonialism and the Queerness of Being Canadian, Wendy Gay Pearson
From The Bush Garden to The Child Garden: Canadian Literary Tropes in the Science Fiction of Geoff Ryman, Wendy Gay Pearson
The Queer German Cinema by Alice Kuzniar, Joe Wlodarz
Rape Fantasies: Hollywood and Homophobia, Joe Wlodarz
Submissions from 2000
Bergman’s Silence, Paul Coates
Notes on Polish Cinema, Nationalism and Wajda’s Holy Week, Paul Coates
Observing the Observer: Andrzej Wajda’s Holy Week (1995), Paul Coates
Shifting Borders: Konwicki, Zanussi and the Ideology of “East-Central Europe”, Paul Coates
National Cinemas in Postwar East-Central Europe, Janina Falkowska
Allegory, Chris Gittings
Jack Hodgins, Chris Gittings
Submissions from 1999
From Personnel to No End: Kieślowski’s political feature films, Paul Coates
Introduction, Paul Coates
Kieślowski and the Crisis of Documentary, Paul Coates
Krzysztof Kieślowski: Filmography, Paul Coates
Krzysztof Kieślowski: Selected Bibliography, Paul Coates
Lucid Dreams: The Films of Krzysztof Kieślowski, Paul Coates
The Curse of the Law: The Decalogue, Paul Coates