Film Studies Publications
Research within Film Studies Publications explores the art of cinema from a multidisciplinary perspective, examining the history of film, visual and musical components and gender and sexuality.
Submissions from 2011
Deleuze and Film Music, Gregg Redner
Submissions from 2010
Detours Homeward: Indigenous Uses of the Road Movie, Wendy Gay Pearson
Hysteria, Freedom and the score for Terrence Malick’s Thin Red Line., Gregg Redner
Music, Space and Deleuze: Reconciling Strauss, Nietzsche and Kubrick in the dance of becoming, which is 2001: A Space Odyssey., Gregg Redner
The Poet and the Politician: Considering the representation of masculinity in Carlos Saura’s Blood Wedding, Gregg Redner
The Subversion of Sex: A Deleuzian Analysis of Alex North’s score for A Streetcar Named Desire, Gregg Redner
White Wall/ Black Hole: A Deleuzian exploration of Philip Glass’ score for A Brief History of Time, Gregg Redner
Al Pacino: From the Mob to the Mineshaft, Joe Wlodarz
Submissions from 2009
European Film Theory: From Crypto-nationalism to Transnationalism, Paul Coates
Just Gaming? Kieślowski’s Blind Chance and Tom Tykwer’s Run Lola Run, with a Note on Heaven, Paul Coates
The Law of the Looking Glass: Polish National Cinema, 1896-1939, Paul Coates
Louis Brody, Tobias Nagl
Born to Be Bron: Destiny and Destinerrance in Samuel R. Delany’s Trouble on Triton, Wendy Gay Pearson
Queer Theory, Wendy Gay Pearson
Ursula K. Le Guin, Wendy Gay Pearson
Deleuzian sensation and Maurice Jaubert's score for L'Atalante, Gregg Redner
The Division of the One: Leonard Rosenman and the Score for East of Eden, Gregg Redner
‘We’re Not All So Obvious’: Masculinity and Queer (In)visibility in American Network Television of the 1970s, Joe Wlodarz
Submissions from 2008
Introduction: Mundane Science Fiction, Harm and Healing the World, Susan Knabe and Wendy Gay Pearson
The Aesthetics of Race in European Film Theory, Tobias Nagl
Alien Cryptographies: The View from Queer, Wendy Gay Pearson
The Pervert’s Guide to Geoff Ryman: Desire, Subjectivity and Identity in Lust and Was, Wendy Gay Pearson
Towards a Queer Genealogy of Science Fiction, Wendy Gay Pearson