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Submissions from 2024

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Basil Bunting and the Challenges of Literary Translation from Persian into English: A Case of Rūdhakī, Emadeddin Naghipour

Submissions from 2023

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Figures of Radical Absence: Blanks and Voids in Theory, Literature, and the Arts, Alexandra Irimia

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Research as Montage Notes on a Georges Didi-Huberman Exhibition, Alexandra Irimia

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Running on Empty: Blanks and Voids in Academic Publishing, Alexandra Irimia

Submissions from 2022

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Bureaucratic Sorceries in The Third Policeman: Anthropological Perspectives on Magic & Officialdom, Alexandra Irimia

Submissions from 2021

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Depicting Absence: Thematic and Stylistic Paradoxes of Representation in Visual and Literary Imagery, Alexandra Irimia

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What Moves You?: Georges Didi-Huberman’s Arts of Passage and Pittsburgh Stories of Migration, Alexandra Irimia

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MILLENNIAL REPRESENTATIONS OF MEDIEVAL RELIGIOUS SCHISM IN WESTERN MEDIA: An Iconographic Analysis of Dante’s Inferno 28 and the Twenty-First Century Films Dracula Untold and Kingdom of Heaven, Nafise Shajani

Submissions from 2018

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Matters of Time in László Krasznahorkai’s and Béla Tarr’s Satantango, Alexandra Irimia

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Repetition and Intermediality in Marguerite Duras’s The Atlantic Man: Practicing Dibutade’s Craft in the XXth Century, Alexandra Irimia

Submissions from 2017

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Preserving the Community in Gabriel García Márquez’s Crónica de una muerte anunciada (Chronicle of a Death Foretold), Grace Gomashie