Matters of Time in László Krasznahorkai’s and Béla Tarr’s Satantango
Document Type
Article
Publication Date
11-20-2018
Volume
Ekphrasis: Cinema, Cognition, Art
Issue
2/2018
First Page
213
Last Page
225
URL with Digital Object Identifier
10.24193/ekphrasis.20.13
Abstract
This paper draws an intermedial comparison of László Krasznahorkai’s 1985 novel Satantango and Béla Tarr’s 1994 eponymous adaptation through the perspective of their treatment of time and narration, by reflecting upon the specificities of their respective media. The two works advance the hypothesis of a circular experience of temporality defying the linear flow of literary and cinematic discourse. Aesthetically, their approach is characterized by a strong emphasis on seemingly meaningless and bleak contingency, in an atmosphere of claustrophobic closure shaped by the dance metaphor already transparent from the title, which is also central to the structure of both the novel and its cinematic adaptation. In exploring the various cinematographic and typographic mechanisms through which the tango sequence of steps configures the imagery and the sensorial landscape of the two works, our analysis refers to a multi-modal, comparative usage of key concepts such as narrated time, narrative time and Gilles Deleuze’s time-image.
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