Date of Award

2006

Degree Type

Thesis

Degree Name

Master of Arts

Program

Media Studies

Supervisor

Tim Blackmore

Abstract

Emerging from the New York rubble, the media image of the courageous firefighter exploded as a symbol of patriotism and nationalism, generating a mass preoccupation with heroes after 9/11. The staggering rise of the filmic superhero in a

post 9/11 context indicates psychological defense against “terror” and the need for Manichean institutions and cultural regeneration that is symptomatic of war time ambiguity and political unrest. As popular culture mirrors the American collective

subconscious, this thesis questions the function of the contemporary superhero film by bringing together comic superheroes, film superheroes, myth studies and the terrorist attacks on the World Trade Centre in semiotic and textual analysis. While fulfilling the democratic promise of an “Everyman” hero, this paper discusses how superheroes and vigilante activity also undermine democratic institutions and ideologically support the questionable actions of the U.S. government and their illegal war.

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