Paper Title
Paper Abstract
Over the span of eleven years (1683-1694), Nicolas Malebranche and Antoine Arnauld, two prominent sympathizers of the Cartesian tradition, engaged in a rigorous debate. In his initial set of criticisms, Arnauld objects that a natural consequence of Malebranche’s theory of ideas is idealism.1 This charge of idealism has puzzled scholars: why did Arnauld believe this? Han Adriaenssen2 has convincingly argued that Arnauld’s charge of idealism is founded on the representationality of Malebranchean ideas. According to Arnauld, ideas represent for Malebranche in much the same way that portraits do—by inciting a perceiver to form a conception of whatever they pertain to. The portrait of Louis XIV, for example, represents the French monarch by inciting a conception that pertains to him in a perceiver. However, a portrait will only represent Louis XIV to a perceiver that is already familiar with the king. Only then will the conception of Louis XIV arise in a perceiver that actually pertains to him.
Similarly, then, an idea of the sun will only represent it to a perceiver with a previous conception of the sun. But, for Malebranche, the conception of an object requires the perception of the idea which represents that object. Thus, a perceiver cannot have a conception of the sun prior to the perception of its idea. Malebranchean ideas accordingly fail to function as representations of their objects. In failing to represent external objects, moreover, the ideas in the divine intellect are not just the immediate objects of our perception, but the only objects of our perception. Consequently, Arnauld concludes that Malebranche’s view leads to idealism.
Arnauld’s objection, however, presupposes a particular account of representation, namely, resemblance. For a prior conception of what an idea represents would be required in order for the idea to actually represent its object only if ideas represented by resembling their objects as portraits do. This paper will challenge the traditional3 characterization of the representationality of Malebranchean ideas in terms of resemblance. I argue that a careful examination of Malebranche’s texts, and of the Neoplatonic-Augustinian sources upon which Malebranche bases his theory of ideas, reveals that Malebranche is not steadfastly committed to the view that ideas represent by means of resemblance, but instead, by archetypal participation.
On this view, Malebranchean ideas are divine archetypes wherein the essences of objects participate by being the exemplary causes of these essences. And it is in virtue of this causal relation that ideas represent the essences of objects. So, as regards external bodies, the idea of intelligible extension is the archetype of bodies which represents their essence, viz., extension, in virtue of being the exemplary cause of extension in bodies. When we interpret Malebranche’s view of ideational representation this way, the charge of idealism broached by Arnauld, and
some recent commentators4, dissipates. This is because Malebranchean ideas, in conjunction with particular sensations, can direct a perceiver to the cognition of individual bodies that participate in the idea of intelligible extension without a prior conception of these bodies.
Notes
© 2020. Fabio Malfara. © 2020. Dylan Flint. These materials are presented under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International copyright license (CC BY-NC-ND 4.0). 
Although open access is provided for these materials, please be mindful that they were originally prepared as oral presentations for traditional conference formats and that the authors may be presenting work-in-progress, even works in early stages of development, and they may not have all the kinks smoothed out yet. Before quoting from this material, we encourage you to check whether a published version supersedes this material or whether the author has a preferred version for you to quote from. Authors' ORCID iDs are available above to facilitate this for you.
Start Date
4-6-2020 11:30 AM
Time Zone
Pacific Daylight Time
End Date
4-6-2020 12:25 PM
Location
Commentator's Homepage
https://osu1.academia.edu/DylanFlint
Keywords
Malebranche, Representation, Idea, Exemplary Cause, Intelligible Extension
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Malebranche’s Alleged Idealism
Over the span of eleven years (1683-1694), Nicolas Malebranche and Antoine Arnauld, two prominent sympathizers of the Cartesian tradition, engaged in a rigorous debate. In his initial set of criticisms, Arnauld objects that a natural consequence of Malebranche’s theory of ideas is idealism.1 This charge of idealism has puzzled scholars: why did Arnauld believe this? Han Adriaenssen2 has convincingly argued that Arnauld’s charge of idealism is founded on the representationality of Malebranchean ideas. According to Arnauld, ideas represent for Malebranche in much the same way that portraits do—by inciting a perceiver to form a conception of whatever they pertain to. The portrait of Louis XIV, for example, represents the French monarch by inciting a conception that pertains to him in a perceiver. However, a portrait will only represent Louis XIV to a perceiver that is already familiar with the king. Only then will the conception of Louis XIV arise in a perceiver that actually pertains to him.
Similarly, then, an idea of the sun will only represent it to a perceiver with a previous conception of the sun. But, for Malebranche, the conception of an object requires the perception of the idea which represents that object. Thus, a perceiver cannot have a conception of the sun prior to the perception of its idea. Malebranchean ideas accordingly fail to function as representations of their objects. In failing to represent external objects, moreover, the ideas in the divine intellect are not just the immediate objects of our perception, but the only objects of our perception. Consequently, Arnauld concludes that Malebranche’s view leads to idealism.
Arnauld’s objection, however, presupposes a particular account of representation, namely, resemblance. For a prior conception of what an idea represents would be required in order for the idea to actually represent its object only if ideas represented by resembling their objects as portraits do. This paper will challenge the traditional3 characterization of the representationality of Malebranchean ideas in terms of resemblance. I argue that a careful examination of Malebranche’s texts, and of the Neoplatonic-Augustinian sources upon which Malebranche bases his theory of ideas, reveals that Malebranche is not steadfastly committed to the view that ideas represent by means of resemblance, but instead, by archetypal participation.
On this view, Malebranchean ideas are divine archetypes wherein the essences of objects participate by being the exemplary causes of these essences. And it is in virtue of this causal relation that ideas represent the essences of objects. So, as regards external bodies, the idea of intelligible extension is the archetype of bodies which represents their essence, viz., extension, in virtue of being the exemplary cause of extension in bodies. When we interpret Malebranche’s view of ideational representation this way, the charge of idealism broached by Arnauld, and
some recent commentators4, dissipates. This is because Malebranchean ideas, in conjunction with particular sensations, can direct a perceiver to the cognition of individual bodies that participate in the idea of intelligible extension without a prior conception of these bodies.