Visual Arts Publications
Examining art not only in its practical application but also from art theory perspectives of gender, politics, history and location, the Visual Arts Publications aligns analysis of both past and contemporary works with current, multidisciplinary themes.
Submissions from 2002
The Science behind Francesco Borromini's Divine Geometry, John G. Hatch
Submissions from 2000
Julian Haladyn: Portable Tea Ceremony performance at the University of Western Ontario, London, Ontario, May 16, 2000, John G. Hatch
Machian Epistemology and its Part in František Kupka's Painterly Cognition of Reality, John G. Hatch
Documents from 1998
Fatum as Theme and Method in the Work of Francis Bacon, John G. Hatch Jr
Speculations on the Introduction and Role of Alexemata in Doric Temple Architecture, John G. Hatch
Submissions from 1996
Michelangelo's Last Judgment and 'Le Segrete Cose', John G. Hatch and J. Gerard Curtis
Submissions from 1995
Nature's Laws and the Changing Image of Reality in Art and Physics: A Study of the Impact of Modern Physics on the Visual Arts, 1910-1940, John George Hatch
Submissions from 1994
The Day the Universe Changed, So Did Art, John G. Hatch
Submissions from 1987
The Frescoes of Castelseprio, John G. Hatch
Submissions from 1986
Futurism: Movement and the Structure of Reality, John G. Hatch