Visual Arts Publications
Examining art not only in its practical application but also from art theory perspectives of gender, politics, history and location, the Visual Arts Publications aligns analysis of both past and contemporary works with current, multidisciplinary themes.
Submissions from 2025
Museum Funding as Critical Practice, Camille-Mary Sharp and Samantha Summers
Submissions from 2024
Trevor Paglen's Border Abstractions in the Age of Machine Vision, Sarah Bassnett
Retrieving images from tarnished daguerreotypes using X-ray fluorescence imaging with an X-ray micro beam with tunable energy, Tsun-Kong Sham, Y. Zou Finfrock, Qunfeng Xiao, Renfei Feng, and Sarah Bassnett
Architectural and Curatorial Extensions of Extraction at the Royal Ontario Museum, Camille-Mary Sharp
Submissions from 2023
Family, Diaspora, and the Politics of Care in Griselda San Martin’s The Wall , 2015-16, Sarah Bassnett
Rescue Politics: Richard Mosse’s Thermal Imaging and the Containment of Migration, Sarah Bassnett
Photography and 21st-Century Migration, Sarah Bassnett and Blessy Augustine
Submissions from 2021
The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán, C. Cody Barteet
Submissions from 2020
Undocumented Migration and Political Community in Susan Meiselas's Crossings Photographs, Sarah Bassnett
Submissions from 2017
Critical Museum Theory/Museum Studies in Canada: A Conversation, Lianne McTavish, Susan Ashley, Heather Igloliorte, Kirsty Robertson, and Andrea Terry
Submissions from 2015
Greek at Chartres, William S. A. Dale
Submissions from 2009
Archive and Affect in Contemporary Photography, Sarah Bassnett
Francis Alÿs: Fabiola, Stephanie Rogerson
Revolutionizing Autobiography, Stephanie Rogerson
Reconsidering the 'Obscene': The Massa Marittma Mural, Matthew Ryan Smith
Songs of the Self: Slightly Unbalanced, Matthew Ryan Smith
Submissions from 2008
From Public Relations to Art: Exhibiting Frances Benjamin Johnston's Hampton Institute Photographs, Sarah Bassnett
Picturing the Professionalization of Planning in Canada, 1901-1927, Sarah Bassnett
El Lissitzky's Study for "Proun" 8 Stellungen (1923), John G. Hatch
Giacomo Balla's Linea di Velocita (1913), John G. Hatch
Without Words You Spoke: Early Snapshot Photography and Queer Representation, Stephanie Rogerson
Dale Chihuly: The Chandeliers and Other Critical Insight into His Work, Matthew Ryan Smith
The Cut in Collage: Pollock, Fontana, Matta-Clark, Ono, Matthew Ryan Smith
Submissions from 2004
Desire, Heavenly Bodies, and a Surrealist's Fascination with the Celestial Theatre, John G. Hatch
Submissions from 2002
Cindy Sherman, John G. Hatch