Visual Arts Publications
Examining art not only in its practical application but also from art theory perspectives of gender, politics, history and location, the Visual Arts Publications aligns analysis of both past and contemporary works with current, multidisciplinary themes.
Submissions from 2021
The Retablos of Teabo and Mani: The Evolution of Renaissance Altars in Colonial Yucatán, C. Cody Barteet
Submissions from 2015
Greek at Chartres, William S. A. Dale
Documents from 2010
Some Adaptations of Relativity in the 1920s and the Birth of Abstract Architecture, John G. Hatch Jr
Submissions from 2009
Archive and Affect in Contemporary Photography, Sarah Bassnett
Francis Alÿs: Fabiola, Stephanie Rogerson
Revolutionizing Autobiography, Stephanie Rogerson
Reconsidering the 'Obscene': The Massa Marittma Mural, Matthew Ryan Smith
Songs of the Self: Slightly Unbalanced, Matthew Ryan Smith
Submissions from 2008
From Public Relations to Art: Exhibiting Frances Benjamin Johnston's Hampton Institute Photographs, Sarah Bassnett
Picturing the Professionalization of Planning in Canada, 1901-1927, Sarah Bassnett
El Lissitzky's Study for "Proun" 8 Stellungen (1923), John G. Hatch
Giacomo Balla's Linea di Velocita (1913), John G. Hatch
Without Words You Spoke: Early Snapshot Photography and Queer Representation, Stephanie Rogerson
Dale Chihuly: The Chandeliers and Other Critical Insight into His Work, Matthew Ryan Smith
The Cut in Collage: Pollock, Fontana, Matta-Clark, Ono, Matthew Ryan Smith
Submissions from 2004
Desire, Heavenly Bodies, and a Surrealist's Fascination with the Celestial Theatre, John G. Hatch
Documents from 2003
On the Various Trappings of Daniel Spoerri, John G. Hatch Jr
Submissions from 2002
Cindy Sherman, John G. Hatch
Robert Rauschenberg, John G. Hatch
The Science behind Francesco Borromini's Divine Geometry, John G. Hatch
Submissions from 2000
Julian Haladyn: Portable Tea Ceremony performance at the University of Western Ontario, London, Ontario, May 16, 2000, John G. Hatch
Machian Epistemology and its Part in František Kupka's Painterly Cognition of Reality, John G. Hatch
Documents from 1998
Fatum as Theme and Method in the Work of Francis Bacon, John G. Hatch Jr
Speculations on the Introduction and Role of Alexemata in Doric Temple Architecture, John G. Hatch
Submissions from 1996
Michelangelo's Last Judgment and 'Le Segrete Cose', John G. Hatch and J. Gerard Curtis