Scholarship@Western > KINO > Vol. 6 (2015) > Iss. 1
Forward to Issue 6.1Samantha Roach and Joseph Simpson
Deleuze and the Time-Image in Early SummerThomas Boyer
From Real Housewives to The Brady Bunch: Bojack Horseman Finds Its PlaceAlissa Chater
The Story of Monsters and Women: Canada's Interrogation of Hollywood's HorrorRachel Gunn
Becoming “Comfortably Numb” through Cinematography and EditingAlyssa Logie
Suburbia, The West and Modernity: Social Commentary Achieved Through Representations of the Child in I Was Born, But and Good Morning (Ohayo)Samuel McGuiness
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