Department of English Publications
Document Type
Article
Publication Date
Winter 2011
Volume
145
Journal
Canadian Theatre Review
First Page
89
Last Page
91
URL with Digital Object Identifier
10.1353/ctr.2011.0018
Abstract
Kim Solga reviews The Walworth Farce – a "farce" in name only – as a play that is actually about the dangerous performatics of memory. As it explores the ways in which the theatre both enables and *dis*ables the drive to remember, it thinks seriously about traumatic re-enactment and the limits of the theatre as a site for such.
Publication Status
1
Notes
This is an author-accepted version of the manuscript. The final version, published by University of Toronto Press, is available at https://muse.jhu.edu/article/417349