Date of Award

2008

Degree Type

Thesis

Degree Name

Master of Arts

Program

Visual Arts

Supervisor

David Merritt

Second Advisor

Susan Edelstein

Abstract

This thesis examines the house as a simultaneous location of ease and dis-ease, familiarity and estrangement. With particular focus on architectural motifs and domestic space, it is proposed that there is potential for a compatible or even complementary relationship between a critical or reflective nostalgia and the Freudian uncanny. It is suggested that these two concepts function as potential doubles, and that through their pairing, a nuanced analytic space for examining the contradictions inherent in the homely and unhomely, as well as in notions of memory, is forged. This conceptual framework is further explored in relation to artistic practice, through focused analysis of Gregor Schneider’s Haus ur and Toba Khedoori’s architectural drawings.

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