Editors' Introduction
Diana Samu-Visser, Leif Schenstead-Harris, Mélissa LeBlanc, and Nahmi Lee

Biopolitical Ontology after Rachel Carson
Joshua Schuster

Biohazards and the Queer Sexual Imagination
Matthew Halse

The Unrecyclable Ontology of Nihilism: Tiqqun’s “Annihilation of Nothingness,” Georges Bataille’s Conception of Death, and David McNally’s Living-Dead
Alden Wood

First as Tragedy, Then as Farce, Then as a Post-Apocalyptic Helicopter Flight with No Certain Prospect of a Safe Landing
Mary Eileen Wennekers

Patterns that Oscillate Forever: Knotted Symmetries and Still Life in Arthur C. Clarke’s and Stanley Kubrick’s 2001: A Space Odyssey
Andrew C. Wenaus

Paradoxy: Interpretive Environments, Time Travel, and the Unrereadable
Andy Verboom

“A Story to Pass On”: Beloved and the Recasting of the Past
Jeremy Colangelo

Unrecyclable Times: The Traumatic Topographies of Global Capitalism in W.G. Sebald’s Austerlitz
Kate Lawless

Synthesized Environments of Utmost Clarity
Mikhail Pozdniakov

The Material of Soundscapes and Music: Investigations into the Active Listening Experience
André Bourgeois

Thinking in a Weird Green Light, or, Between Total Recyclability and the Toxiconomy
Brad Tabas

A Posterior Excursus to the Ontological Alienation of Unrecyclability
Yuri Forbes-Petrovich

Letting Go of the Unrecyclable: Some closing remarks while we’re yet talking
Leif Schenstead-Harris, Mélissa LeBlanc, Diana Samu-Visser, and Nahmi Lee

Contributors and Acknowledgements
Mélissa LeBlanc, Nahmi Lee, Diana Samu-Visser, and Leif Schenstead-Harris

Word Hoard Issue 2 Complete
Word Hoard

Graffiti: A Lion in the Holy of Holies (Word Hoard Speaker Series)
Jamie Rooney