Foreword and Front Matter
Katharina Clausius, Kristen Duerhammer, and Veena Varghese

Review: Russian Music and Nationalism from Glinka to Stalin
Melanie Gudesblatt

Marie, the Modern Feminist? Donizetti and the Heroine of La fille du régiment
Arreanna Rostosky

Duality and Ambiguity in Britten’s Death in Venice
Lucy Y. Liu

Evoking a Corner of Jewish Life: Moses Milner’s “In Kheyder” for Voice and Piano
Samuel Zerin

A Tribute to Nature: The Evolution of the Night-Music Style in Bartók’s Music
Alison K. Curcio

Messiaen’s Use of Plainchant After Vatican II: An Analysis of Puer Natus est nobis from Livre du Saint Sacrement
Alanna Ropchock

“Revolt Against the Modern World:” Exploring the Post-Industrial Romance of Neo-Folk
Ryan Kirk

She Loves You: The Beatles and Female Fanaticism
Kimberly Cura

Redirecting Objectives: Music in Post-War Soviet Russia
Patrick Bonczyk