Music Research and Composition Works
Title
Aaron copland and the politics of cultural diplomacy
Document Type
Article
Publication Date
8-1-2011
Journal
Journal of the Society for American Music
Volume
5
Issue
3
First Page
335
Last Page
364
URL with Digital Object Identifier
10.1017/S1752196311000162
Abstract
Scholars have largely ignored Aaron Copland's lengthy career as a cultural diplomat, although the documentation surrounding it sheds new light on his political views. Through a consideration of his work with the U.S. government during World War II and the Cold War this article argues that a brand of universalist internationalism, rooted in his earlier musical experiences in Europe and in his leftist politics, motivated many of Copland's political activities at home and overseas during this period. Copland remained committed to this perspective both before and after his McCarthy hearing in 1953, but the Cold War inevitably brought new challenges to a man with such an outlook. Copland's work with the U.S. Information Agency during this period shows that although his beliefs and attitudes remained unchanged, he felt the need to participate in a reconstruction of his image that better matched the new climate. His music written during the Cold War, furthermore, provides an artistic realization of this interaction between pragmatism and idealism. © 2011 The Society for American Music.
