• Home
  • Search
  • Browse All Collections
  • My Account
  • About
  • DC Network Digital Commons Network™
Skip to main content
Kino: The Western Undergraduate Journal of Film Studies
  • Home
  • About
  • The Team
  • Issues
  • Submit
  • Contact
  •  
  •  

Scholarship@Western > KINO > Vol. 3 (2012) > Iss. 1

 

Articles

 

Foreword
Laura Conning and Jesse Brossoit

 

Discovering the Limitations of Nationality in Hollywood: Foreigners and their Linguistic Struggle in Hollywood from 1926 – 1935
Jennifer Kidson

 

Empty Spaces and Backward Glances: Edgar Ulmer's Detour and the Exilic Experience
Jessica Davis

 

The Man In Black: A Sequence Analysis from Fritz Lang's M (1931)
Timothy J. Edwards

 

Too Much Change: How Fantasia's Cinematic Innovations Overwhelmed the Audience of 1940
Vanessa England Ross

 

Not "On the Level": The Subversion of Expectations in His Girl Friday
Katherine McLeish

 

Marketing Muscles and the Public's Positive Response
Holly Claeys

 

The Spirituality of Nature: Indigenous Tradition in James Cameron's Avatar and Western Mentality's Failure to See Within
Anna Paliy

 

La belle et la bête: Stylistic Convergence and the Subversive Imagination of Jean Cocteau
Erin Nunoda

 

The Red Spectre: Commentary on Modernity Through Surrealism
Emily McWilliams

 

Film Museums and the Plight of Art-House Film Theatres in London, Ontario
Matt Rossoni

 
 
Camera filming thoughts
  • Most Popular Papers
  • Receive Email Notices or RSS

 

Search

Advanced Search

 
Elsevier - Digital Commons
Western

Home | About | FAQ | My Account | Accessibility Statement

Privacy Copyright