Department of English Publications

Document Type

Book Chapter

Publication Date

2012

First Page

239

Last Page

43

Abstract

New Canadian Realisms: Eight Plays collects works of contemporary theatre, each of which may be defined as "realist" through both a crucial link to the past and a zest for re-tooling old definitions. Grounded by Gwen Pharis Ringwood's pioneering Still Stands the House, the anthology also features Trey Anthony's 'da Kink in my hair, Tara Beagan's Miss Julie: Sheh'mah, Madeleine Blais-Dahlem's sTain, Hillar Liitoja's The Last Supper, selections from the Impromptu Splendor series by National Theatre of the World, Theatre Replacement's BioBoxes, and Zuppa Theatre's Penny Dreadful, as well as a series of text-specific introductions and a resource page for students and researchers. Designed to be read alongside NECT Vol. 2 but just as provocative on its own, this collection will be an ideal teaching tool for a wide array of Canadian theatre courses.

Creative Commons License

Creative Commons Attribution 4.0 License
This work is licensed under a Creative Commons Attribution 4.0 License.

Citation of this paper:

Barker, Roberta and Kim Solga. One Dead White Guy at a Time: Miss Julie: Sheh’mah, by Tara Beagan. New Canadian Realisms: Eight Plays. Ed. Roberta Barker and Kim Solga. Toronto: Playwrights Canada Press, 2012. 239-43

Share

COinS