This book review analyzes Awad Ibrahim's 2014 book, entitled: The Rhizome of Blackness: A critical ethnography of Hip-Hop Culture, Language, Identity and the Politics of Becoming, published by Peter Lang. This review introduces the rhizomatic analysis used in the book to theorize the complex and multifaceted nature of Black identity within the North American context. It gives an overview of the critical ethnographic projects Ibrahim uses to illustrate the ways that Black youth are forced to deny their complex identities to fit into dominant White society, while also finding a heteroglossia of expressions in a third space through Black popular culture. The book review supports Ibrahim's proposal of using Hip-Hop and Black popular culture for a project of diversification to validate Black youth, while asking if using Hip-Hop might foreclose other opportunities to learn about expressions of Black culture beyond the confines of North American Corporate media. The book review argues that the Rhizome of Blackness provides important messages for educators about Black identity and the social construction of identity and nationhood.

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