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Documents from 2010

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Some Adaptations of Relativity in the 1920s and the Birth of Abstract Architecture, John G. Hatch Jr

Submissions from 2009

Francis Alÿs: Fabiola, Stephanie Rogerson

Revolutionizing Autobiography, Stephanie Rogerson

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Reconsidering the 'Obscene': The Massa Marittma Mural, Matthew Ryan Smith

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Songs of the Self: Slightly Unbalanced, Matthew Ryan Smith

Submissions from 2008

El Lissitzky's Study for "Proun" 8 Stellungen (1923), John G. Hatch

Giacomo Balla's Linea di Velocita (1913), John G. Hatch

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Without Words You Spoke: Early Snapshot Photography and Queer Representation, Stephanie Rogerson

Dale Chihuly: The Chandeliers and Other Critical Insight into His Work, Matthew Ryan Smith

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The Cut in Collage: Pollock, Fontana, Matta-Clark, Ono, Matthew Ryan Smith

Submissions from 2004

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Desire, Heavenly Bodies, and a Surrealist's Fascination with the Celestial Theatre, John G. Hatch

Documents from 2003

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On the Various Trappings of Daniel Spoerri, John G. Hatch Jr

Submissions from 2002

Cindy Sherman, John G. Hatch

Robert Rauschenberg, John G. Hatch

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The Science behind Francesco Borromini's Divine Geometry, John G. Hatch

Submissions from 2000

Julian Haladyn: Portable Tea Ceremony performance at the University of Western Ontario, London, Ontario, May 16, 2000, John G. Hatch

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Machian Epistemology and its Part in František Kupka's Painterly Cognition of Reality, John G. Hatch

Documents from 1998

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Fatum as Theme and Method in the Work of Francis Bacon, John G. Hatch Jr

Speculations on the Introduction and Role of Alexemata in Doric Temple Architecture, John G. Hatch

Submissions from 1996

Michelangelo's Last Judgment and 'Le Segrete Cose', John G. Hatch and J. Gerard Curtis

Submissions from 1995

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Nature's Laws and the Changing Image of Reality in Art and Physics: A Study of the Impact of Modern Physics on the Visual Arts, 1910-1940, John George Hatch

Submissions from 1994

The Day the Universe Changed, So Did Art, John G. Hatch

Submissions from 1987

The Frescoes of Castelseprio, John G. Hatch

Submissions from 1986

Futurism: Movement and the Structure of Reality, John G. Hatch