Music Theses and Dissertations

 

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Theses/Dissertations from 2017

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The Effects of Video Recording on the Level of Expertise and Self-Regulated Learning Ability of Adults in a Beginner Classical Guitar Class, Patrick K. Feely

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Teleology in César Franck's Prélude, Choral et Fugue, Stephanie Gouin

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Antoinette, an Opera in One Act, Colin McMahon

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Audio Mastering as a Musical Competency, Matthew T. Shelvock

Theses/Dissertations from 2016

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Requiem, Wendell Glick

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Namazu, Sean Kim

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Two Movements for Orchestra, Jeff Lupker

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Musical Forces in Claude Vivier’s Wo bist du Licht! and Trois airs pour un opéra imaginaire, Emilie L. Marshall

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Ethos, William T. Nicolaou

Theses/Dissertations from 2015

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A Study of Form and Structure in Pierre Boulez's Pli selon Pli, Emily J. Adamowicz

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Family Music Listening Legacies: A Case Study-based Investigation of the Intergenerational Transmission of Music Listenership Values in Five Families, Jillian Bracken

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J. S. Bach's Modal Compositional Practice in the Chorale Preludes for Solo Organ: A Schenkerian Perspective, Michael Fitzpatrick

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A cross-generational examination of learner engagement and agency in non-traditional music education programs, Jennifer M. J. Lang

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Amor Fati, Aaron Lee

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In Search Of Transformative Music Learning Experiences: Voices From The Margins In Northeastern Brazil, Nan Qi

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Heteroglossia: Novella For Orchestra, Andrzej J. Tereszkowski

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Sophie, A Music Drama for Solo Soprano and Chamber Ochestra, Alondra Vega-Zaldivar

Theses/Dissertations from 2014

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A Comparative Analysis of Neoliberal Education Reform and Music Education in England and Ontario, Canada, Stephanie Horsley

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Functional Transformations and Octatonality in Selected Works by George Crumb, Peter Lea

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Interpretive Reproduction and Informal Music Learning in the Grade One Classroom, Leslie S. Linton

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From Communism To Democracy: Choral Music Education In Czechoslovakia (1948 – 1992) And The Czech Republic (1993 – 2011) as Experienced by Four Prominent Czech Musicians, Jakub Martinec

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Toward a Postmodern Avant-Garde: Labour, Virtuosity, and Aesthetics in an American New Music Ensemble, John R. Pippen

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Aspects of Newtonianism in Rameau’s Génération harmonique, Abigail Shupe

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Evolve, Brian L. Topp

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Concerto Suite: For Viola da Gamba and String Soloists, Matthew W. Tozer

Theses/Dissertations from 2013

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Three Solitudes and a DJ: A Mashed-up Study of Counterpoint in a Digital Realm, Anthony B. Cushing

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Green Glass for Orchestra, Carolann K. DeYoung

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Factors Affecting Music Education in Ontario Secondary Schools: Teachers' Perspectives, Laura E. Fitzpatrick

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Kontakt, Michael Lukaszuk

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Galina Ustvolskaya (1919-2006): Analytical Approach To The Pitch Content of Selected Compositions, Lindsay S. Murrell

Theses/Dissertations from 2012

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Garden Theatre, Patrick F. Arteaga

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Narrativity in Postmodern Music: A Study of Selected Works of Alfred Schnittke, Karen K. Ching

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Frontiers, Borders, Boundaries: Cross-Cultural Encounters in the New York City Reception of La fanciulla del West, Kathryn Marie Fenton

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Mythologies: Three Tableaux for Flute, Harp, Strings and Percussion, Alice J. Hansen

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Charles Ives and Musical Borrowing, Allison C. Luff

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Dawn: a symphonic sketch for orchestra, Jeff McClellan

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Anarchy in the Unity: Compositional and Aesthetic Tensions in Mauricio Kagel's Antithese für einen Darsteller mit elektronischen und öffentlichen Klängen (1962), Makoto Mikawa

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A Modest Proposal: A Chamber Opera in One Act, Kevin Morse

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Audio Mastering as Musical Practice, Matt Shelvock

Theses/Dissertations from 2011

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The Other Sides of Billy Joel: Six Case Studies Revealing the Sociologist, the Balladeer, and the Historian, A. Morgan Jones