Kino: The Western Undergraduate Journal of Film Studies

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The Man In Black: A Sequence Analysis from Fritz Lang's M (1931)
Timothy J. Edwards

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The Spirituality of Nature: Indigenous Tradition in James Cameron's Avatar and Western Mentality's Failure to See Within
Anna Paliy

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La belle et la bête: Stylistic Convergence and the Subversive Imagination of Jean Cocteau
Erin Nunoda

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Sifting Through Blood: Grotesquery as Culture in Post-WWII Japanese Cinema
Kylan Mitchell

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Our Movie Screen, His Mirror: A Reflection on the Fears and Anxieties of Alfred J. Hitchcock
Connor Scott

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A Single Woman: Rebellion Against and Reinforcement of Traditional Gender Roles in The Exorcist
Bianca Marcus

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Film Museums and the Plight of Art-House Film Theatres in London, Ontario
Matt Rossoni

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Realer than Reel: Menace II Society and the 1990’s Hood Film Cycle
Timothy J. Edwards

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Not "On the Level": The Subversion of Expectations in His Girl Friday
Katherine McLeish

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Too Much Change: How Fantasia's Cinematic Innovations Overwhelmed the Audience of 1940
Vanessa England Ross