Film Studies Publications

 

Research within Film Studies Publications explores the art of cinema from a multidisciplinary perspective, examining the history of film, visual and musical components and gender and sexuality.

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Submissions from 2006

Feelings and Faith in Krzysztof Kieslowski’s Decalogue (1988) in the Context of Recent Theories of Empathy in Cinema, Janina Falkowska

Why Do I Return to Krzysztof Kieslowski?, Janina Falkowska

Flammenzeichen und Versöhnung. Die Sonne Asien (D 1920, R: Carl Eduard Heuberger), Tobias Nagl

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Not in the Hardware Aisle, Please: Same-Sex Marriage, Anti-Gay Activism and My Fabulous Gay Wedding, Wendy Gay Pearson

(Re)reading James Tiptree's And I Awoke and Found me Here on the Cold Hill Side, Wendy Gay Pearson

Black Queer Filmmaking, Joe Wlodarz

Submissions from 2005

Arno Holz vs. Thomas Mann: Media Fantasies of Modernism, Janelle Blankenship

The Cabinet of Dr. Caligari: Radical Modernism or Commercialism?, Paul Coates

From the Immediate to the Transcendent: The Liminal Image: The Films of Krzysztof Kieślowski, Paul Coates

The Red and the White: The Cinema of People's Poland, Paul Coates

The Road to New European Identities in Austrian Cinema, Janina Falkowska

Imaging Canada: The Singing Mountie and Other Commodifications of Nation, Chris Gittings

Louis Brody and the Black Presence in German Film before 1945. A Biographical Sketch, Tobias Nagl

'Von fremder Rasse durchsetzt'. Stereotypen in Schwarz-Weiβ, Tobias Nagl

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Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO's Oz, Joe Wlodarz

Submissions from 2004

East-Central European Cinema: Beyond the Iron Curtain, Paul Coates

Knife in the Water/Nóż w wodzie, Paul Coates

Man of Marble/Człowiek z marmuru, Paul Coates

Ashes and Diamonds, Janina Falkowska

Polish Baroque in the Thick of Europe: The Reception of Andrzej Wajda’s Films, Janina Falkowska

Die Wacht am Rhein: Rasse und Rassismus in der Filmpropropaganda gegen die ‘schwarze Schmach‘ (1921-23), Tobias Nagl

Reflektionen über das Kodieren/Dekodieren-Modell: Ein Interview mit Stuart Hall, Tobias Nagl

'Sieh mal den schwarzen Mann!': Komparsen afrikanischer Herkunft im deutschsprachigen Kino vor 1945, Tobias Nagl

Topographien der Transgression: Fritz Kortners Der brave Sünder (1931) und die Repräsentation afroamerikanischer Performer im Weimarer Kino, Tobias Nagl

…und lass mich filmen und Tanzen bloß um mein Brot zu verdienen’: Schwarze Komparsen und Kinoöffentlichkeit in der Weimarer Republik, Tobias Nagl