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Submissions from 2011

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Deleuze and Film Music, Gregg Redner

Submissions from 2010

Detours Homeward: Indigenous Uses of the Road Movie, Wendy Gay Pearson

Hysteria, Freedom and the score for Terrence Malick’s Thin Red Line., Gregg Redner

Music, Space and Deleuze: Reconciling Strauss, Nietzsche and Kubrick in the dance of becoming, which is 2001: A Space Odyssey., Gregg Redner

The Poet and the Politician: Considering the representation of masculinity in Carlos Saura’s Blood Wedding, Gregg Redner

The Subversion of Sex: A Deleuzian Analysis of Alex North’s score for A Streetcar Named Desire, Gregg Redner

White Wall/ Black Hole: A Deleuzian exploration of Philip Glass’ score for A Brief History of Time, Gregg Redner

Al Pacino: From the Mob to the Mineshaft, Joe Wlodarz

Submissions from 2009

European Film Theory: From Crypto-nationalism to Transnationalism, Paul Coates

Just Gaming? Kieślowski’s Blind Chance and Tom Tykwer’s Run Lola Run, with a Note on Heaven, Paul Coates

The Law of the Looking Glass: Polish National Cinema, 1896-1939, Paul Coates

Die unheimliche Maschine: Rasse und Repräsentation im Weimarer Kino/The Uncanny Machine: Race and Representation in Weimar Cinema, Tobias Nagl

Louis Brody, Tobias Nagl

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Born to Be Bron: Destiny and Destinerrance in Samuel R. Delany’s Trouble on Triton, Wendy Gay Pearson

Queer Theory, Wendy Gay Pearson

Ursula K. Le Guin, Wendy Gay Pearson

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Deleuzian sensation and Maurice Jaubert's score for L'Atalante, Gregg Redner

The Division of the One: Leonard Rosenman and the Score for East of Eden, Gregg Redner

‘We’re Not All So Obvious’: Masculinity and Queer (In)visibility in American Network Television of the 1970s, Joe Wlodarz

Submissions from 2008

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On the Dialectics of Colour (in general) and Red (in particular): Three Colours: Red, Red Desert, Cries and Whispers and The Double Life of Véronique, Paul Coates

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Introduction: Mundane Science Fiction, Harm and Healing the World, Susan Knabe and Wendy Gay Pearson

The Aesthetics of Race in European Film Theory, Tobias Nagl

Alien Cryptographies: The View from Queer, Wendy Gay Pearson

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The Pervert’s Guide to Geoff Ryman: Desire, Subjectivity and Identity in Lust and Was, Wendy Gay Pearson

Towards a Queer Genealogy of Science Fiction, Wendy Gay Pearson