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<title>Department of English Publications</title>
<copyright>Copyright (c) 2013 Western University All rights reserved.</copyright>
<link>http://ir.lib.uwo.ca/englishpub</link>
<description>Recent documents in Department of English Publications</description>
<language>en-us</language>
<lastBuildDate>Wed, 30 Jan 2013 16:57:05 PST</lastBuildDate>
<ttl>3600</ttl>








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<title>Still Here: Choreography, Temporality, AIDS</title>
<link>http://ir.lib.uwo.ca/englishpub/126</link>
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<pubDate>Thu, 17 Nov 2011 17:50:01 PST</pubDate>
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<author>Steven Bruhm</author>


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<title>All is True (Henry VIII): The Unbearable Sex of Henry VIII</title>
<link>http://ir.lib.uwo.ca/englishpub/125</link>
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<pubDate>Thu, 17 Nov 2011 17:47:20 PST</pubDate>
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<author>Steven Bruhm</author>


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<title>Cell Phones from Hell</title>
<link>http://ir.lib.uwo.ca/englishpub/124</link>
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<pubDate>Thu, 17 Nov 2011 17:17:45 PST</pubDate>
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	<p>Recently Hollywood has remade a number of movies from the 1970s, movies  in which young women are terrorized by a murderer                      calling from a telephone located elsewhere in the  house. In the remakes, the murderer uses a cell phone, which effectively                      destroys the sense of space and distance on which  earlier horror films were predicated. In one way, these films gesture to                      Jean Baudrillard's idea of “the transparency of  evil,” in that they depict the collapse between the speaking self and  the                      technologies of monstrosity against which the self  might be defined. In another way, though, the films proliferate sites of                      desire from which the telephonic subject searches  for connection, even if that connection is impossible to establish. This                      essay reads the original and the remade <em>When a Stranger Calls</em> and <em>Black Christmas</em> through Baudrillard and Georges Bataille. Ultimately, it finds in contemporary telephonic horror a complex deracination of                      the desiring subject from its own speaking self.</p>

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<author>Steven Bruhm</author>


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<title>Real Money and Romanticism</title>
<link>http://ir.lib.uwo.ca/englishpub/123</link>
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<pubDate>Sat, 03 Sep 2011 16:36:42 PDT</pubDate>
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	<p>"Real Money and Romanticism interprets poetry and fiction by Sir Walter  Scott, John Keats, and Charles Dickens in the context of changes in the  British monetary system and in the broader economy during the early  nineteenth century. In this period modern systems of paper money and  intellectual property became established; Matthew Rowlinson describes  the consequent changes in relations between writers and publishers and  shows how a new conception of material artefacts as the bearers of  abstract value shaped Romantic conceptions of character, material  culture, and labor. A fresh and radically different contribution to the  growing field of inquiry into the 'economics' of literature, this is an  ingenious and challenging reading of Romantic discourse from the point  of view of monetary theory and history."  (From online book description)</p>

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<author>Matthew Rowlinson</author>


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<title>John McGahern and the Art of Memory</title>
<link>http://ir.lib.uwo.ca/englishpub/122</link>
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<pubDate>Sat, 03 Sep 2011 16:28:52 PDT</pubDate>
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	<p>"In 2005, when John McGahern published his <em>Memoir</em>, he<em> </em>revealed  for the first time in explicit detail the specific nature of the  autobiographical dimension of his fiction, a dimension he had hitherto  either denied or mystified. Taking <em>Memoir </em>as a paradigmatic work  of memory, confession, and imaginative recovery, this book is a close  reading of McGahern's novels that discovers his narrative <em>poiesis</em> in both the fiction and the memoir to be a single, continuous, and  coherent mythopoeic project concealed within the career of a novelist  writing ostensibly in the realist tradition of modern Irish fiction.  McGahern's total body of work centres around the experiences of loss,  memory, and imaginative recovery. To read his fiction as an art of  memory is to recognize how he used story-telling to confront the  extended grief and anger that blighted his early life and that shaped  his sense of self and world. It is also to understand how he gradually,  painfully and honestly wrote his way out of the darkness and despair of  the early work into the luminous celebration of life and the world in  his great last novel <em>That They May Face the Rising Sun.</em>"  (From online book synopsis)<em><br /></em></p>

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<author>Dermot McCarthy</author>


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<title>&lt;em&gt;Ulysses&lt;/em&gt; in Focus: Genetic, Textual, and Personal Views</title>
<link>http://ir.lib.uwo.ca/englishpub/121</link>
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<pubDate>Sat, 03 Sep 2011 16:21:44 PDT</pubDate>
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	<p>"Bringing together twelve essays in three areas of Joyce criticism and  scholarship, this refreshing book offers various personal adventures  from a life lived with Joyce’s work. In a manner that is at once modest,  rigorous, and accessible, Ulysses <em>in Focus</em> engagingly connects  these scholarly developments and contretemps to the author's personal  history and provides fascinating new genetic readings of several  episodes of <em>Ulysses</em> that advance our understanding of the novel’s composition."  (From online book description)</p>

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<author>Michael Groden</author>


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<title>Óttarr svarti</title>
<link>http://ir.lib.uwo.ca/englishpub/120</link>
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<pubDate>Wed, 04 May 2011 00:00:38 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Liðsmannaflokkr</title>
<link>http://ir.lib.uwo.ca/englishpub/119</link>
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<pubDate>Wed, 04 May 2011 00:00:36 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Lausavísur</title>
<link>http://ir.lib.uwo.ca/englishpub/118</link>
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<pubDate>Wed, 04 May 2011 00:00:33 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Gunnlaugr ormstunga</title>
<link>http://ir.lib.uwo.ca/englishpub/117</link>
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<pubDate>Wed, 04 May 2011 00:00:30 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Darraðarljóð</title>
<link>http://ir.lib.uwo.ca/englishpub/116</link>
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<pubDate>Wed, 04 May 2011 00:00:28 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Skaldic Praise Poetry as a Marginal Form</title>
<link>http://ir.lib.uwo.ca/englishpub/115</link>
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<pubDate>Wed, 04 May 2011 00:00:25 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Verses and Prose in &lt;em&gt;Gunnlaugs saga&lt;/em&gt;</title>
<link>http://ir.lib.uwo.ca/englishpub/114</link>
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<pubDate>Wed, 04 May 2011 00:00:23 PDT</pubDate>
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<author>Russell Poole</author>


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<title>The Song of the Valkyries</title>
<link>http://ir.lib.uwo.ca/englishpub/113</link>
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<pubDate>Wed, 04 May 2011 00:00:19 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Variants and Variability in the Text of Egill’s &lt;em&gt;Höfuðlausn&lt;/em&gt;</title>
<link>http://ir.lib.uwo.ca/englishpub/112</link>
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<pubDate>Tue, 03 May 2011 23:30:47 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Sighvatr Þórðarson</title>
<link>http://ir.lib.uwo.ca/englishpub/111</link>
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<pubDate>Tue, 03 May 2011 23:30:44 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Psycholinguistic Principles in Skaldic Repetition</title>
<link>http://ir.lib.uwo.ca/englishpub/110</link>
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<pubDate>Tue, 03 May 2011 23:11:10 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Constructions of Fate in Victorian Literature and Philology</title>
<link>http://ir.lib.uwo.ca/englishpub/109</link>
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<pubDate>Tue, 03 May 2011 23:11:07 PDT</pubDate>
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<author>Russell Poole</author>


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<title>Tofu, Green Tea, and Alzheimer’s Disease: Critical Thinking as Quantitative Literacy in First-Year Composition for Information and Mathematical Science Students</title>
<link>http://ir.lib.uwo.ca/englishpub/108</link>
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<pubDate>Mon, 02 May 2011 17:49:06 PDT</pubDate>
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<author>Russell Poole et al.</author>


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<title>Reasons for Rhyme, Alliteration, and Wordplay: A Psycholinguistic Look at Poetic Composition and Reception</title>
<link>http://ir.lib.uwo.ca/englishpub/107</link>
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<pubDate>Mon, 02 May 2011 17:08:53 PDT</pubDate>
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<author>Russell Poole</author>


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