Submissions from 2000
Reflecting Narcissus: A Queer Aesthetic, Steven Bruhm
Introduction, Russell Poole
Skaldsagas: Text, Vocation, and Desire in the Icelandic Sagas of Poets, Russell Poole
The Relation between Verses and Prose in Hallfreðar saga and Gunnlaugs saga, Russell Poole
Submissions from 1999
Cannon Schmitt. Alien Nation: Nineteenth-Century Gothic Fictions and English Nationality, Steven Bruhm
Stage Blood (Book Review), Steven Bruhm
Picture This: Stephen King’s Queer Gothic, Steven Bruhm
Submissions from 1998
Gothic Body, Steven Bruhm
Reforming Byron’s Narcissism, Steven Bruhm
Old English Wisdom Poetry, Russell Poole
Reasons for Rhyme, Alliteration, and Wordplay: A Psycholinguistic Look at Poetic Composition and Reception, Russell Poole
Tofu, Green Tea, and Alzheimer’s Disease: Critical Thinking as Quantitative Literacy in First-Year Composition for Information and Mathematical Science Students, Russell Poole and Jenny Lawn
Submissions from 1997
Composition Transmission Performance: The First Ten lausavísur in Kormáks saga, Russell Poole
Submissions from 1996
Blond Ambition: Tennessee Williams’s Homographesis, Steven Bruhm
On Stephen King's Phallus; Or the Postmodern Gothic, Steven Bruhm
Queer, Queer Vladimir, Steven Bruhm
Submissions from 1995
Wordsworthian Errancies: The Poetics of Cultural Dismemberment. David Collings, Steven Bruhm
Taking One to Know One: Oscar Wilde and Narcissism, Steven Bruhm
Submissions from 1994
Gothic Bodies: The Politics of Pain in Romantic Fiction, Steven Bruhm
Constructions of Fate in Victorian Literature and Philology, Russell Poole
Psycholinguistic Principles in Skaldic Repetition, Russell Poole
Submissions from 1993
Aesthetics and Anesthetics at the Revolution, Steven Bruhm
Roderick Random’s Closet, Steven Bruhm
Cultural Reformation and Cultural Reproduction in Anne Brontë's The Tenant of Wildfell Hall, Russell Poole