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Submissions from 2003

Mother Courage and its Abject: Reading the Violence of Identification, Kim Solga

Submissions from 2002

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The Contemporary Gothic: Why We Need It, Steven Bruhm

The ‘Conversion Verses’ of Hallfreðr vandræðaskáld, Russell Poole

Two Students of Boethius, Russell Poole

Victorian Professionalism and Charlotte Brontë’s Villette, Russell Poole

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The Savage Ambivalence of Delisle de la Drevetière, Kim Solga

Submissions from 2000

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David Punter, Gothic Pathologies: The Text, the Body and the Law, Steven Bruhm

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Encrypted Identities, Steven Bruhm

Reflecting Narcissus: A Queer Aesthetic, Steven Bruhm

Introduction, Russell Poole

Skaldsagas: Text, Vocation, and Desire in the Icelandic Sagas of Poets, Russell Poole

The Relation between Verses and Prose in Hallfreðar saga and Gunnlaugs saga, Russell Poole

Violent Imaginings: Feminist Performance Spaces in Tomson Highway’s Dry Lips Oughta Move to Kapuskasing, Kim Solga

Submissions from 1999

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Cannon Schmitt. Alien Nation: Nineteenth-Century Gothic Fictions and English Nationality, Steven Bruhm

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Stage Blood (Book Review), Steven Bruhm

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Picture This: Stephen King’s Queer Gothic, Steven Bruhm

Submissions from 1998

Gothic Body, Steven Bruhm

Reforming Byron’s Narcissism, Steven Bruhm

Old English Wisdom Poetry, Russell Poole

Reasons for Rhyme, Alliteration, and Wordplay: A Psycholinguistic Look at Poetic Composition and Reception, Russell Poole

Tofu, Green Tea, and Alzheimer’s Disease: Critical Thinking as Quantitative Literacy in First-Year Composition for Information and Mathematical Science Students, Russell Poole and Jenny Lawn

Submissions from 1997

Excavating the Expendable Working Classes in "The Imperialist", Teresa Hubel

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Composition Transmission Performance: The First Ten lausavísur in Kormáks saga, Russell Poole

Submissions from 1996

Blond Ambition: Tennessee Williams’s Homographesis, Steven Bruhm

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On Stephen King's Phallus; Or the Postmodern Gothic, Steven Bruhm