Submissions from 2009
Dress Suits to Hire and the Landscape of Queer Urbanity, Kim Solga
Urban Performance and Cultural Policy, Kim Solga
Violence against Women in Early Modern Performance: Invisible Acts, Kim Solga
Submissions from 2008
What I Didn’t Do on My Summer Vacation, Steven Bruhm
Body Doubles, Babel's Voices: Katie Mitchell's Iphigenia at Aulis and the Theatre of Sacrifice, Kim Solga
Vertical City: Staging Urban Discomfort, Kim Solga
The Line, the Crack, and the Possibility of Architecture: Figure, Ground, Feminist Performance, Kim Solga
Submissions from 2007
Byron and the Choreography of Queer Desire, Steven Bruhm
Ekphrasis: Its ‘Prolonged Echoes’ in Scandinavia, Russell Poole
Myth and Ritual in Eyvindr skáldaspillir’s Háleygjatal, Russell Poole
Blasted’s Hysteria: Rape, Realism, and the Thresholds of the Visible, Kim Solga
Submissions from 2006
Gothic Sexualities, Steven Bruhm
Nightmare on Sesame Street: or, the Self-Possessed Child, Steven Bruhm
“Orð eftir orð,” “orð eftir orði”: The Progress of the Dictionary of Old Norse Prose, Russell Poole
Some Southern Perspectives on Starcatherus, Russell Poole
Walkürenlied, Russell Poole
Wissensdichtung, Russell Poole
Þulr, Russell Poole
Rape’s Metatheatrical Return: Rehearsing Sexual Violence Among the Early Moderns, Kim Solga
Submissions from 2005
Eduard Sievers, Russell Poole
Kindred, College, and Scholarship in the Lifework of Bertha Surtees Phillpotts (1877-1932), Russell Poole
Poetic References from Skaldskaparmal, Russell Poole
Seeing ‘a little of the world’ (and not being able to change it) in Anne Brontë’s Agnes Grey, Russell Poole
Sigvatr Þórðarson, Russell Poole
Skalde/Skalds, Russell Poole