Aboriginal Policy Research Consortium International (APRCi)
 

Document Type

Article

Publication Date

2012

Journal

Journal of Anthropology

First Page

1

Last Page

29

URL with Digital Object Identifier

http://dx.doi.org/10.1080/00141844.2012.726635

Abstract

Aboriginal Australian acrylic paintings have long been considered representations of mythologically invested landscape. This understanding has been made problematic by recent writings on ‘dwelling’. As common usage of the term ‘landscape’ seems to prioritize vision, to suggest that the acrylic paintings are landscapes only strengthens the suspicion that they are artifacts of displacement or distancing, rather than examples of the emplacement emphasized in this ‘dwelling perspective’. However, this paper will demonstrate that the relationship between acrylic painting and the land is more complex than such an interpretation. It will argue that the Aboriginal objectification of their relationship to the land is not inherently a distancing of the land.


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